By Noel Montague-Etienne Rarignac
Few books have so seized the general public mind's eye as Bram Stoker's Dracula, much more renowned now than while it used to be first released in 1897. This severe paintings represents a rereading of the horror vintage as a Christian textual content, one who alchemizes Platonism, Gnosticism, Mariology and Christian resurrection in a story that explores the ugly. Of specific curiosity is the way the Dracula narrative emerges from past vampire stories, which juxtapose Apollonian and Dionysian impulses. a robust addition to vampire and horror scholarship.